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Descartes, Bacon and Newton, giant's of science
2007-04-15 20:31:00
Rene Descartes wrote his Discourse on Method 50 years before Issac Newton published his Principia. The Principia stunned the world and quickly established Newton as the leading intellectual of his age. Everyone recognized it as epoch making. But the Principia and the ideas it contained were built against a backdrop of feverish excitement that began well over a century before with Copernicus who had literally torn the cosmos from its foundations and hurled it into space. Aristotle's universe, Ptolemy's universe, had been overthrown. It took some time to sink in. But when it did, there began a concerted and feverish process of rebuilding the world on a newfooting. The century and a half of reconstruction culminating in Newton's magnificent achievement."The book of nature, Newton's nature was seen in poetic termsas a divine romance -- a book written in disconnectedcorpuscular characters scattered throughout an infinite and empty void following the syntax of motion and the rule of attr
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Renaissance Thinking
2007-04-12 08:30:00
In Spain, as in other European countries, sixteenth-century painting is characterized by eclecticism, or rather by the synthesis of a number of different trends: national tendencies, the influence of the great Italian masters, and certain elements of the art of Northern and Central Europe. In the early years of the century, the formula was thoroughly Quattrocento, but the use of oils and a growing interest in naturalistic representation and the manipulation of space nullified or progressively diluted the surviving Gothic characteristics. With the passage of time gold backgrounds became increasingly rare, and landscapes gained in breadth and luminosity. Many Spanish artists visited Italy, attracted by the fame of the Italian schools. While there, some underwent a technical and aesthetic transformation, and, on returning to Spain, contributed decisively to the growth of the Renaissance spirit, spreading their version of the great lessons to be learned from the art of Leonardo, Raphael, a


mona lisa stolen
2007-04-10 07:39:00
Most of pictures from this blog are taken from nice studio site .On Monday, August 21, 1911, the world's most famous work of art--Leonardo da Vinci's Mona Lisa--was stolen from the Louvre museum in Paris. That morning, many museum employees noticed that the painting was not hanging in its usual place. But, they assumed the painting was taken off the wall by the official museum photographer who was shooting pictures of it up in his studio.By Tuesday morning, when the painting hadn't been returned and it was not in the photographer's studio, museum officials were notified. The painting was gone!The police were contacted immediately and they set up headquarters in the museum curator's office. The entire museum was searched from top to bottom. This took a week because of the size of the Lourve: it's a 49-acre building which runs along the Seine river for 2,200 feet. The only thing a detective found was the heavy frame that once held the Mona Lisa. It was discovered in a staircas


Copy of the Mona Lisa
2007-04-09 17:23:00
"In 1983, a Japanese artist made a copy of the Mona Lisa completely out of toast." This curious fact and many more like it may be found on the "Fun Facts" World-Wide-Web page put out by the Northville Michigan Arts Commission (http://tln.lib.mi.us/~nort/yourpge4.html LINK DEAD 4/02), characterized on their web page as "a highly dedicated group of volunteers chartered to encourage, develop, and promote activities in all of the Arts." This identical piece of trivia is quoted word for word in no less than fifty other locations on the World Wide Web, where it is classified under a variety of demeaning and deprecating titles and rubrics such as "Amusing irrelevant facts," or "Useless (and unsubstantiated) facts," or "Totally useless facts." The list, in each of its iterations, is repeated item by item, with little variation, so that not infrequently, this seeming factoid about a toasted Mona Lisa directly follows the one about the child Albert Einstein who could not speak, or the one about


Mona Lisa smile secrets revealed
2007-04-06 17:50:00
The smile on the face of the Mona Lisa is so enigmatic that it disappears when it is looked at directly, says a US scientist. Professor Margaret Livingstone of Harvard University said the smile only became apparent when the viewer looked at other parts of the painting.The Mona Lisa, painted by Leonardo da Vinci in the 1500s, has intrigued art lovers for five centuries because of its subject's mysterious smile.The theory has been presented at the American Association for the Advancement of Science's (AAAS) annual meeting in Denver, Colorado, this week.The smile disappeared when it was looked at because of the way the human eye processes visual information, said Prof Livingstone.The eye uses two types of vision, foveal and peripheral.Foveal, or direct vision, is excellent at picking up detail but is less suited to picking up shadows."The elusive quality of the Mona Lisa's smile can be explained by the fact that her smile is almost entirely in low spatial frequencies, and so is seen be


Paris's Louvre Museum warned that the wood...
2007-04-05 08:34:00
Paris 's Louvre Museum warned that the wood on which the Mona Lisa was painted is bending.Her unknown identity has plagued art historians for centuries. Her enigmatic smile has seduced millions of art lovers. Now the mystery of the Mona Lisa is deepening. Earlier this week the Louvre Museum in Paris, where the Renaissance masterpiece by Leonardo da Vinci is housed, warned that "the thin panel of poplar wood, on which this mythical image is painted, is more warped than it was previously." Its deterioration, they said, has aroused "some worry." Repairing the world's most famous artwork is no easy task, especially since da Vinci has an uncanny way of making life difficult for conservationists. Experts are unsure of the materials the Italian artist used and their current chemical state. "Basically nobody wants to touch it, because nobody wants to mess it up," said Henri Zerner, a French art history professor at Harvard University in Cambridge, Massachussetts. "What if you—oops!


New age in understanding and living
2007-04-04 14:32:00
About 1450, European scholars became more interested in studying the world around them. Their art became more true to life. They began to explore new lands. The new age in Europe was eventually called “the Renaissance.” Renaissance is a French word that means “rebirth.” Historians consider the Renaissance to be the beginning of modern history. The Renaissance began in northern Italy and then spread through Europe. Italian cities such as Naples, Genoa, and Venice became centers of trade between Europe and the Middle East. Arab scholars preserved the writings of the ancient Greeks in their libraries. When the Italian cities traded with the Arabs, ideas were exchanged along with goods. These ideas, preserved from the ancient past, served as the basis of the Renaissance. When the Byzantine empire fell to Muslim Turks in 1453, many Christian scholars left Greece for It
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renaissance art
2007-04-01 18:47:00
something newThe word 'Renaissance' is a French term first coined in the 19th century to describe the intellectual and artistic revival, inspired by a renewed study of Classical literature and art, which began in Italy in the early 14th century and reached its culmination in the early 16th century, having spread in the meantime to other parts of Europe. The equivalent Italian term is Rinascimento. The concept enshrined in the word 'Renaissance' is actually one of rebirth rather than revival and carries with it the loaded, and absolutely discredited, argument that the Middle Ages was a dead period intellectually and artistically. Such a view effectively renders Byzantine, Romanesque and Gothic art as being without aesthetic value. Though this position is untenable, the term 'Renaissance' is useful in so far as it denotes a view that was held by contemporary, especially Italian, thinkers and because the period covered by the term, in the leading artistic centres of Italy, exhibi


Chain of being
2007-04-23 14:14:00
Among the most important of the continuities with the Classical period was the concept of the Great Chain of Being. Its major premise was that every existing thing in the universe had its "place" in a divinely planned hierarchical order, which was pictured as a chain vertically extended. ("Hierarchical" refers to an order based on a series of higher and lower, strictly ranked gradations.) An object's "place" depended on the relative proportion of "spirit" and "matter" it contained--the less "spirit" and the more "matter," the lower down it stood. At the bottom, for example, stood various types of inanimate objects, such as metals, stones, and the four elements (earth, water, air, fire). Higher up were various members of the vegetative class, like trees and flowers. Then came animals; then humans; and then angels. At the very top was God. Then within each of these large groups, there were other hierarchies. For example, among metals, gold was the noblest and stood highest; lead had les


Donatello's trio
2007-04-25 10:09:00
1386-1466Donatello is considered to be one of the greatest sculptors of all time. His techniques are still used by sculptors today.He was a great Italian sculptor, who was born in Florence, Italy, in 1386, and died at the age of 80 in 1466. He did not marry and had no children. He started practicing at the age of 20 and worked in Lorenzo Ghiberti's shop. Later in his life he studied Roman ruins and became a humanist. Donatello also had a shop in Florence where he created many of his masterpieces.The city of Florence paid for his sculpture of David. David is the first free standing sculpture in the Christian era. Patrons found him very hard to deal with and to work with. He was not a cultured intellect like Leonardo da Vinci and Michelangelo. Donatello was essentially a realist. His statues display, for the first time since antiquity, the human body as a functional organism, and the human personality radiated a confidential individuality.Many of Donatello's masterpieces are located in


Renaissance Gothfather Giorgio Vasari's Book
2007-05-03 13:05:00
Every few year we get new translation of Lives of the Most Eminent Painters. It is a piece of work that resists four century's and a half, and is still one of ground work from field of fine art. IT is one of most important historical document, containing most of information of Italian renaissance. As well Vasari is a man that not only discovered the term Renaissance , he actually started with History of Art.Giorgio Vasari(1511-1574) was born in Arezzy, Italy, in city that belong to Florentine Republic at that time. His father send him as Giorgio was still a boy to Florence, to study as painter, and as Vasari says for him self he was studying at Michelangelo, but some historians doubt in that, and later he studied at Adndrea Del Sart and Baccio Bandinelli. He studied together with members of Medicci family and so he got strongly related to this important family. Later on he studied under gardiance of Medicci in Rome and he was able to admire works of Michalangelo and Rafaello. Slowly


MIracles from Museum of Cathedral in Orvieto
2007-05-09 15:43:00
Some great news for those , who wanted to visit and see with your own eyes inside of museum Duomo in Orvieto. This cathedral is in all global anthologies of western art strongly present with one of most important and in same time most strange, unusual late middle age architectural design in Italy with famous Last Judgment of Luca Signorelli. And when we came to this cathedral and put our hand on door knob there was no reaction.Museum , one of central in Umbria Region, it is constantly closed for almost two decades , most important works are now collected and exhibited in near by Papal palaceand in church of S. Agostino. They addressed the exhibition "Hall of miracles; from Simone Martinni to Francesco Mocchi" and it will be open till first of July, 2008. Beginning of selection of all miracles is dated hundred years before Martini, that is 13. century. Upper limit is Baroque 17. century, most focused artist in that period are Coppo di Marcovaldo, Arnolfo di Cambio, Lippo Vanni, and S
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technorati
2007-05-09 14:21:00
Technorati Profileold age art


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