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Akhenaten and Nefertiti
2008-01-12 11:53:00
Akhenaten is probably the most interesting of Egyptian pharoahs. He was strange in a number of ways, an oddity that upsets the normal course of Ancient Egyptian history and gives rise to theories that are still being argued about amongst archaeologists. It is not for me to enter this great debate; I merely suggest a scenario that fits as well as any other to the known facts.Akhenaten’s reign (about 1353 BC - 1336 BC) was a hiccup in the great tradition of the pharoahs. For centuries before and after him, little changed in the style of Egyptian art and their beliefs; tradition dictated and the pharoahs followed. Only Akhenaten dared to be different. In his reign art became suddenly more realistic and family-centered. The stiff and formalized depictions that we are so used to in Egyptian a


AFTER AKHENATEN'S DEATH
2008-01-12 11:47:00
Soon after his death the followers at Amana, unable to understand what their Pharaoh had been preaching, abandoned the city, and returned to Thebes and the familiar Gods. The priests branded the name Akhenaten, as a heretic. It was erased from the monuments of Egypt. It was his son, a young Pharaoh named Tutankhamen who the world would get to know. King Tut moved the capital back to Thebes and returned to the old religion. Akhenaten's successors, the generals Ay and Horemheb reestablished the temples of Amun they selected their priests from the military, enabling the Pharaoh to keep tighter controls over the religious orders. Later Pharaohs attempted to erase all memories of Akhenaten and his religion. Much of the distinctive art of the period was destroyed and the buildings dismantled to


THE AMARNA TABLETS - LETTERS
2008-01-12 11:43:00
The el-Amarna letters, a collection of correspondence between various states and Egypt, were found in the remains of the ancient city of Akhetaten, built by Akhenaten around 1370 BCE. Some of the documents belong to the time of Amenhotep III, while others are from the time of Akhenaten. They provide invaluable insight into the foreign affairs of several countries in the Late Bronze Age. The first Amarna tablets were found by local inhabitants in 1887. They form the majority of the corpus. Subsequent excavations at the site have yielded less than 50 out of the 382 itemized tablets and fragments which form the Amarna corpus known to date. The majority of the Amarna tablets are letters. These letters were sent to the Egyptian Pharaohs Amenophis III and his son Akhenaten around the middle of t


TOMB 55 IN THE VALLEY OF THE KINGS
2008-01-12 11:40:00
Of all the royal mummies ever discovered none has ever caused more controversy then the one found in tomb 55 of the Valley of the Kings. At the beginning of the 20th Century, Theodore Davis, a wealthy American excavating in Egypt, discovered a tomb in which a burial from the Armana period had been reinterred. This tomb was clearly unfinished, and the burial a hasty one. Gilded wooden inlay panels on the floor and against the wall. They bore the damaged image of Akhenaten worshiping the sun disc and the name of Queen Tiy. In a niche were four beautiful alabaster jars that held the internal organs of the mummies. Lying on the floor was a badly damaged but beautiful coffin made with thousands of paste in-lays and semi-precious stones in the shape of protective wings. The cartouches containing


AKHENATEN ROYAL TOMB IN AMARNA
2008-01-12 11:35:00
In 1344 BC the building of the Royal Tomb at Akhetaten began. It was completed while Akhenaten was pharaoh. The Royal Tomb of Akhenaten was very similar to a 'standard' tomb found in the Valley of the Kings - a straight forward design of corridors and rooms along a single axis, but this tomb was to change with the addition of two more separate suites of rooms: Research at the Royal Tomb has given evidence that Akhenaten was buried in a pink granite sarcophagus - although both this and the remains of another sarcophagus found at the tomb, were smashed to pieces and then scattered over some distance.However enough of Akhenaten's sarcophagus has been recovered to reconstruct it, the corners had figures of Queen Nefertiti extending protective arms like the guardian of the four quarters


THE END TIMES
2008-01-12 11:30:00
Nefertiti is depicted in her advanced years. She wears a long, white linen dress that allows the contours of her body to be seen. It has been speculated that this small statuette was the model for a life size representation that was never executed. Arnold points out that, although she is past her prime, she is not old. While this may be true, the sagging features of the statuette do indicate that she is no longer the vivacious Queen. In 1335 BC Nefertiti, Akhenaten's wife and companion, is said to have disappeared and most likely died. His mother Tiy had also died as did his minor wife, Kia. That combined with the loss of his daughter made Akhenaten feel alone and depressed. Nefertiti's disappearance coincided with the sudden appearance of a young man named Smenkhkare. Smenkhkare, who was


THE PEOPLE
2008-01-12 11:24:00
At its height the city grew to more than 10,000 people - bureaucrats, artisans, boatmen, priests, traders and their families. Though most were happy, many were not, especially those who did not like to stand in the open sun. Akhenaten worshipers spent lots of time in the sun. Akhenaten wanted everyone to be happy. He created a beautiful, idealistic religion and Utopia for his people but many just didn't understand it. Akhenaten was not living in the reality of his worshippers. Though he had found himself and his God but the people were used to Gods they could see, carved in stone with beautiful bodies, many with heads of animals. Akhenaten's God was too much of an abstraction. Aten was the basic principle of the universe, Light! They also wondered why the sun God only shed its rays on the


THE CITY
2008-01-12 11:20:00
In its finished state Armana offered a theatrical setting for celebrating Akhenaten's kingship. The city sprawled for miles over the plain. There were elegant palaces, statues of the Pharaoh, good housing throughout the city, a royal road that ran through the center of town, probably the widest street in the ancient world. It was designed for chariot processions, with Akhenaten leading the way. Spanning the road, a bridge connected the palace with the temple area. Akhnaton and Nefertiti appeared before the people on the balcony known as the "window of appearances", tossing downgold ornaments and other gifts. marketing


RELIGION
2008-01-12 11:18:00
The priests worried about the God Amun and the fact that the 'Rebel Pharaoh' had declared their god extinct and deserted the religious capitol of Egypt. Gone were the royal offerings. The resources of Egypt were flowing out of the established cities of Egypt and into the desert. People who earned their livings based on the old religions - wood carvers, scarab makers, and others were out of business. The people worried about their afterlife and what would happen now that they were not worshipping the traditional Gods. All of the old belief systems into the next world were discarded. The vision of the afterlife changed. marketing


ART in egyptian civlization
2008-01-12 11:14:00
Akhenaten changed thousands of years of art in Egypt. Gone were the images of Amun and the other gods of Egypt, now replaced by Aten, the solar disc. When Akhenaten built his monuments with images of the Pharaoh, he moved away from the traditions of a strong, handsome muscular Pharaoh. Images of Pharaohs with idealized bodies were gone. The Pharaoh was shown as misshapen as was his wife Nefertiti. It became fashionable to show images of the entire royal family with elongated heads, faces, fingers, toes, wide hips, This gave the artists of Amarna new freedom to show scenes of the real life of the Pharaoh, something that had never been done before. The temple was covered with scenes of the Aten, the sun disc with its rays shining down, ending in hands holding ankhs, the hieroglyph for life.


THE AMARNA PERIOD
2008-01-12 11:12:00
To make a complete break, the king and his queen, left Thebes behind and moved to a new capital in Middle Egypt, 180 miles north of Thebes half way between Memphis and Thebes. It was a virgin site, not previously dedicated to any other god or goddess, and he named it Akhetaten - The Horizon of the Aten. Today the site is known as El-Amarna. In essence he was an cult leader taking his following into the mountains and desert to build a new paradise. Akhenaten established his new religion by building an entire city dedicated to Aten complete with a necropolis and royal tomb. In 1346 BC work began on this new city built in middle Egypt, on a site thought to have been chosen as it was not tainted by the worship of the other gods. In 1344 BC the central section of Akhetaten was completed. Nefert


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2008-01-12 11:11:00
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Akhenaten's Great Queen
2008-01-12 11:09:00
This shrine stela also from the early part of the Amarna period depicts Akhenaten, Nefertiti, and Princesses Meretaten, Mekeaten, and Ankhesenpaaten worshiping the Aten as a family. Dorothea Arnold in her article "Aspects of the Royal Female Image during the Amarna Period" discusses the plethora of reliefs depicting intimate family moments. While Akhenaten leans forward to give Meretaten a kiss, Mekeaten plays on her mother's lap and gazes up lovingly. At the same time Ankhesenpaaten, the smallest, sits on Nefertiti's shoulder and fiddles with her earring. Arnold claims that the shrine stela "relates to the Aten religion's concept of creation" in which the King and Queen are viewed as "a primeval 'first pair." At the top of the composition, the sun-god, Aten, represented by a raised circle
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Akhenaten's Great Royal Wife was Queen Nefertiti
2008-01-12 11:06:00
Queen Nefertiti is often referred to in history as "The Most Beautiful Woman in the World." The Berlin bust, seen from two different angles, is indeed, the most famous depiction of Queen Nefertiti. Found in the workshop of the famed sculptor Thutmose, the bust is believed to be a sculptor's model. The technique which begins with a carved piece of limestone, requires the stone core to be first plastered and then richly painted. Flesh tones on the face give the bust life. Her full lips are enhanced by a bold red. Although the crystal inlay is missing from her left eye, both eyelids and brows are outlined in black. Her graceful elongated neck balances the tall, flat-top crown which adorns her sleek head. The vibrant colors of the her necklace and crown contrast the yellow-brown of her smooth
Read more: Great , Queen , Royal

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2008-01-12 11:05:00
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Pyramids in egypt
2008-01-12 10:55:00
At Meidum, 30 miles south of Memphis, King Snefru (the first king of the 4th Dynasty, who came to the throne around 2613 BC) built Egypt's first true, or straight-sided, pyramid. This started as a stepped pyramid, but as it neared completion the steps were packed with stone and the whole structure was cased in finest limestone. In its final form the pyramid stood approximately 311ft (95m) high.Unfortunately the pyramid was unsound. Its heavy outer layers eventually slid downwards, leaving a square, three-stepped core standing in a mountain of sand and rubble and the ruins of the pyramid complex. We do not know when this disaster occurred, although as there are New Kingdom tombs incorporated in the rubble we know that the pyramid had at least partially collapsed by the time of the New Kingd


Development of Pyramids
2008-01-12 10:15:00
arrival of the 18th-Dynasty Theban kings at the start of the New Kingdom heralded the end of royal pyramid building in Egypt. Henceforth, most pharaohs would be buried in secrecy in the Valley of the Kings.Now individuals felt free to include the pyramid form in their own tombs. Small-scale pyramids are found from Saqqara to Nubia, but the best known examples are those built by the workmen and officials of Deir el-Medina, the village of the royal workforce employed in the Valley of the Kings. Outside the village wall the hill-side displayed ranks of mud-brick pyramids, some of which still stand, combined with decorated rock-cut burial chambers. The pyramids frequently included a niche designed to house a stela (a kind of tombstone) or statue. marketing
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