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The Dillinger Escape Plan - Ire Works
2007-11-17 22:22:52
With the chances The Dillinger Escape Plan took to distance themselves from their copycats on 2004’s ‘Miss Machine’ paying serious dividends, it’s obviously expected that 2007’s ‘Ire Works ’ will take them even further. If this proves true, then the increased ambitiousness and outright adventurousness that the band take on this effort should elevate them from cult favorites into a household, or at least a shared apartment/parents basement name. Make no mistake, fans will still get songs that pack the weapons grade ferocity and frenetic time changes the band rose to fame with; but these aren’t necessarily the most interesting inclusions on this effort. The group’s ever-burgeoning fascination on the collective works of Faith No More and Nine Inch Nails is where this album really draws blood. By juxtaposing some of the most engaging full-fledged melodies they have ever attempted with instrumental shifts and caustic aggression that sound


Acid Mothers Temple & The Melting Paraiso U.F.O. – Crystal Rainbow Pyramid Under The Stars
2007-11-17 22:19:44
One of the most prolific bands in recent time, the Acid Mothers Temple & The Melting Paraiso U.F.O. have returned with another full-length. ‘Crystal Rainbow Pyramid Under The Stars’ consists of three tracks, the longest clocking in at over forty minutes, and finds the band changing their sound and focus just a bit. For starters, one can actually hear the separate instruments, rather than everything descending into a slop of noise and psychedelic effects. The effects are still there, no doubt - there’s a bunch of delay, pitch shifting and vintage spring reverb - but listeners can finally hear what it all is, where it all fits in and where it all needs to go. The opening track has hints of Black Sabbath. believe it or not, before the band finally hit their stride on the final forty minute epic “Electric Psilocybin Flashback”. This is heady, chest beating psychedelic rock from one of the finest and most prominent bands in the genre. For fans of the simila


The Harlem Shakes - Burning Birthdays EP
2007-11-17 22:11:05
Another day, another eccentric band from Brooklyn, New York City. Named after a dance move, the Harlem Shakes create garage dance that has one sole purpose: to get the listener to boogie. And while ‘Burning Birthdays ’ may only be an EP, its packed with infectious, toe tapping music, starting with “Carpetbaggers”, a song so fun even Williamsburg’s hippest hipsters will shuffle their feet. “Red Right Hands” and “Felt Wings” are more catchy than dance-y, with choruses that keep listeners singing long after the tracks are over. The other side of the EP is a bit more somber, and a bit more traditional, but in no way less enjoyable (the driving beat of “Old Flames”, a rocking number entitled “Sickos”). Simply put, the catchy, dance-y, altogether fun of ‘Burning Birthdays’ is a reason to listen to a band representing where the Dodgers moved from. (more…) Share This


The Black Swans - Change!
2007-11-17 22:08:29
The Black Swans make music steeped in folk, country, and blues, avoiding genre and categorization, albeit the ones known as “good” or “real-deal”. ‘Change !’ is the aptly titled new album and features a dozen slow burning songs dealing with the reconciliation and reconstruction of the spirit and self. The album’s first cut, “Face”, seems to grow organically out of a long drone, slow, carefully placed guitar notes punctuating a sustained moan of violin. The next three songs (”Hope Island,” “Coats” and pretty finger-picked “Only Be With You”) also seem to stick very closely to the Black Swans’ formula: slow, soulful country songs, embellished by sometimes folk, sometimes classical flourishes of violin. But on their first significant departure, “Shake”, (one of the best songs on the record), the band’s subtle, emotionally-intense delivery catches fire, as big, crashing guitar


Chris & Thomas - Land of Sea
2007-11-17 22:06:06
Chris Anderson and Thomas Hien shared a love of classic English folk music and the pursuit of creativity, so it wasn’t long before their trans Atlantic bond began to bear fruit. ‘Land of the Sea’, their long awaited full-length debut, is the product of their attempt at writing “classic” music, influenced by the work of Nick Drake and Bob Dylan. The duo manages in their goal too, and each track bears more than a passing resemblance to the beauties of time gone by. The haunting pseudo-Americana of “Broken Chair” could even be compared to Calexico at their best, and the gloriously jangly “Take These Thoughts” could have easily slipped into ‘Feast of Wire’ without any of us batting an eyelid. A very solid and highly enjoyable album, thankfully devoid of the pretentiousness which plagues so much music of this kind. (more…) Share This
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Deadbeat - Journeyman’s Annual
2007-11-17 21:59:38
By far the most richly textured and propulsive of all efforts so far, ‘Journeyman’s Annual marks the forth and arguably best release from Scott Monteith’s Deadbeat project. There’s a sharpened low-end accent running through these tracks that seems to be both inspired by and made in mind of the ever-influential dubstep scene. The bass arrangements are fearsome, and although the templates are lifted straight of Monteith’s dusted old dub handbook, there are percussive touches and sub-frequency wobbles that have a much more progressive audience in mind. Album opener “Lost Luggage” does a good job of wrong-footing the listener into thinking that Monteith is revisiting familiar territory - starting as it does with a beatless passage that’s soaked in found sounds and evocative scene setting. The drop that inevitably comes is almost immeasurably heavy - one of those robust, stubborn beasts that leaves listeners in need of some updated sub woofers


Donna Regina - More
2007-11-17 22:03:46
With every shimmering guitar note and sun-washed melody, ‘More’ thrills the ears with sugary pleasure. This is the tenth offering from Donna Regina , a fascinating duo who emerged from the German avant-pop scene over a decade ago. The beautifully constructed, impeccably stylish ‘More’ finds the duo experimenting with electronica, which adds a refreshing take to their normal offering of dream-pop. “Good Morning Day” is a fleeting pop gem, adorned with a Beatlesque piano chord progression and illuminated by Regina’s unaffected, silken vocals. The spectre of Nico looms over the acoustic guitar led “To Be Around”, but the best is kept till the end with the sublime album closer “Dream On”. Landing somewhere between the ethereal soundscapes of Mum, St. Etienne’s direct dream-pop and Psapp’s understated electronics, ‘More’ is a delicate, yet, engrossing listen and quite a step up for this long standing du


Tim Hecker - Norberg
2007-11-17 21:57:47
An essential 21 minute outpouring from one of laptop music’s brightest stars, Tim Hecker’s session from Sweden’s Norberg Festival finds the musician on blistering form, sculpting narratives out of digital noise and disembodied acousmatic sound. The piece opens like the first warning signs of an oncoming storm, with something akin to wind buffeting ushering in the familiar granular chimes that so distinctively cut through Hecker’s Radio Amor album. Slowly but steadily a coating of thick, warm noise begins to stick to everything like a plume of heavy desert dust, and the bells erode away into a vast nebula of hiss and low-end presence. The next few minutes are pure texture, with little in the way of harmonic or tonal detail cutting through the mix, instead listeners are left with a vast grey cloud hovering above them, with some sort of phantom drone at its core, hidden away. Next, the levels of noise and distortion become fiery, devouring the previously expansive,


Kieran Hebden & Steve Reid - Tongues
2007-11-17 21:55:11
Whilst these previous outings were sprawling and experimental in scope, Kieran Hebden and Steve Reid return on 2007’s ‘Tongues ’ playing with a newfound sense of focus. One listen to the sweetened harp arpeggios of “Our Time”, and its apparent they are paying close attention to melody this time around. But by no means does the duo clip their song wings: this entire album, in fact, was recorded live with no overdubs or edits, providing a free spirit within the compositions that is difficult to pinpoint. Sounding closer in feel to Hebden’s solo work as to Four Tet, ‘Tongues’ is the logical step up from the duo’s previous collaborations. The time signature defying “People Be Happy” and the almost gamelan like percussion minimalism of the title track are two obvious highlights. Able to collapse in utter chaos one moment and tighten it all back up the next, ‘Tongues’ sees two peerless musicians at the very height o


G. Mulligan & T. Monk - Mulligan Meets Monk
2007-11-17 21:52:02
Mulligan and Monk: what is their common ground? Certainly not the “Cool School” West Coast pianoless groups of Mulligan and Baker. Nor is it the Lester Young influenced Mulligan in the same sphere (pun intended) as some of Monk’s preeminent sax players, like Johnny Griffin or John Coltrane. Perhaps it is their mutual love for the Swing Era. Tunes on ‘Mulligan Meets Monk’ like “Sweet and Lovely” and Mulligan’s “Decidedly” (based on Charlie Shavers’ “Undecided”) are where they both really hook up and yet thrive in their own unique way. Additionally, the rendition of “‘Round Midnight”, is as beautiful as any extant. Monk delivers the melody to the famous intro while Mulligan plays a harmony line. “Rhythm-a-ning” is Monk’s tune on rhythm changes, and this might be the only place where one could miss a firebrand like Griffin. Supposedly, the producers originally thought the record should be made with a big band, and for this


The Raveonettes - Lust Lust Lust
2007-11-23 14:05:31
Adding further weight to the theory that Scandinavia produces some of the best rock and roll bands on earth, The Raveonettes return with their third full length album, ‘Lust Lust Lust’, a lush and moody slice of noisy pop that drags the past into the present in brilliant style. These twelve songs of dark are almost trip-hoppy indie pop, with much more than a hint of the shoegazer nineties vibe about it. Lo-fi sampled drum-loops and simple basslines lay behind super-saturated grungy guitar, pushing out hard at the edges of the soundfield, threatening to escape beyond the frame. Sometimes the sparse and stripped back lead lines are bluesy, sometimes they echo like the incidental twanging from spaghetti westerns or the really early work of the Shadows, drenched in layers of plate reverb as if they were echoing off the walls of a canyon or the skyscrapers to either side of an empty street. Over the top are the close-harmony croons of Sharin Foo and Sune Rose, exuding too-wasted


The Tellers - Hands Full Of Ink
2007-11-23 14:01:57
The inaugural EP from The Tellers, a young group weaned on English pop but with a definite edge to their melodies, attracted several plaudits. Now it’s the turn of the album, and it is once again the singer’s highly distinctive voice that provides the surprise, with each lyric seeming to induce a bout of breathlessness. The combination of these fragile vocals with vivacious, beautifully undulating acoustic guitar melodies enables them to instantly strike a groove on each of the tracks. They are far more guileless than The Libertines, and it would be nonsense to compare The Tellers to any other British group: while the former bare their fangs, The Tellers bare nothing more than a lovely set of milk teeth. It’s fair to say that their catchy melodies fall more into the category of indie pop than raw rock. (more…) Share This
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White Flight - White Flight
2007-11-23 13:59:52
Justin Roelofs, former leader of the Anniversary, hung up his emo shoes for good in 2007 with the release of this giddy solo album (recorded under the moniker White Flight ). Imagine early Beck, laced with heavier psychedelics, constructing a cut-up folkie/hip-hop montage with gentle acoustic guitars, hammering drum machines, winningly out-of-tune choruses, and new-wave synths. On paper it may sound like a willful, clichéd mess, but from the lovely “Song for Augustine, Pt. 2″ to the dope beats of “Deathhands,” it’s a delight. With this whimsical collage of feedback, breakbeats, strummy guitars, and munchkin-land vocals that make Sigur Ros seem butch, this labor of love marks the sound of a young artist coming into his own and intoxicated with the freedom. Listeners will no doubt get a contact high. (more…) Share This


Gustafsson & Yoshimi - Words on the Floor
2007-11-23 13:55:16
What is “Free Music”? It’s “music”, rather than “noise”, but it claims freedom from the strictures of rhythm and melody. It’s a kind of aural abstract impressionism, a judicious melding of order and chaos. It demands a significant investment of trust from its audience, who need to know that what they are hearing is the product of considered aesthetic decision. If anyone’s deserving of that trust, it’s sax legend Mats Gustafsson and ex-Boredoms singer Yoshimi. The two teamed up for a one-off performance in Sweden, and ‘Words on the Floor ’ is the result. Yoshimi’s wordless siren voice plays off Gustafsson’s various saxophones, diverging and recombining. Gustafsson makes his sax warble and scream, and throws in fragments of blues over Yoshimi’s boundless vocal invention. At times they could be playing on different stages, before meeting transcendently. The album is no substitute for being there, but definitely allows scope for


Pg.Lost - Yes I Am EP
2007-11-23 13:52:57
Pg.Lost is a four-piece band and shares members with Eskju Divine. Their instrumental music has recently been compared to great bands like Explosions In The Sky, Red Sparrowes and Mono. Pg.Lost administrate an inheritance of a straight descending line from the early nineties shoegaze transformed into post-rock within the same decades progress in able to today, 2007, perfect in a rehearsal room in Norrköping. Floating guitars, devastating rhythms and airy harmonies are mixed into a cascade of emotions that alternately whip and alternately caress the listener. No one is left unaffected by these congenial creations. (more…) Share This


Harvey Milk - The Pleaser
2007-11-23 13:50:06
After two of the most challenging metal albums of the ’90s, Harvey Milk produced an album full of big rock excellence with their final album, ‘The Pleaser’. This is simply straight-up, riff-rock tour-de-force; replete with huge hooks, whiskey and cigarette vocals, wicked guitar solos, and all the swagger and conviction a true rock record should have. In a startling turn, this trio uncorked an indispensable collection, the kind other bands work a lifetime to write but never do. Whereas Harvey Milk’s first two outings showed the band creating their own twisted rock vision by harnessing the power of lush, noisy and painfully emotional heavy metal, ‘The Pleaser’ finds the band channeling the spirits of Thin Lizzy, Kiss, and early ZZ Top to create a brutish, muscular canon of classic rock jams. And with this gem of a record (and it’s accompanying live on the radio performance: this 2007 re-issue of ‘The Pleaser’ comes with a second disc


Akimbo - Navigating The Bronze
2007-11-23 13:46:30
From the first cut on ‘Navigating The Bronze ’, Akimbo unleashes their heavy, gritty, Louisville sound on the listener. For those still unfamiliar with the “Louisville” sound, this metal features a more heavy and gritty version than the standard thrash band, with hardcore riffs peppered throughout. That being said, ‘Navigating the Bronze’ is a loud, technical, and surprisingly progressive affair, from the 3 minute drum solo on “Roman Coins” to the soloing on “Megatherium”. In fact, if one was to shove Black Flag and Black Sabbath into a blender, this would be their sound. The Tele twang of Unsane’s Chris Spencer also comes to mind; “Dungeon Bastard” recalls the chewy chords of the Jesus Lizard’s Duane Denison. Occasionally, the band lets air-guitar-inducing bursts of post-Jimmy Page/pre-Van Halen pentatonics fly; Tony Iommi himself would be jealous of the driving triplets of “The Curse of King David”. Also worthy of


The New Caledonia - Lotus
2007-11-23 13:44:15
This versatile, talented quartet is hardly known in the music world. Even in progressive rock circles, mention of Australian based The New Caledonia brings up a puzzled look from even the most knowledgeable prog-head. Yet on ‘Lotus ’, they have forged a truly amazing collection of technical but melodic pieces, long on chops and big on fun interplay. “Undercurrent” has a restrained cinematic atmosphere which segues nicely into two stabs on piano and laid back jazzy sax. The eight minutes of “Electro Legs” brings to mind The Mars Volta, and although vocals are spares, they hold a listener’s attention easily, touching on Latin bases, shredding for a moment and throwing in some post-hardcore rhythms. In fact, The New Caledonia work their personality changes so tightly, listeners barely notice they’ve gone from funk to progressive to psych-jazz in the space of a minute. There is so much to digest on ‘Lotus’, it takes repeated listen


The Nostalgia 77 Octet - Weapons Of Jazz Destruction
2007-11-23 13:40:52
Whilst their first LP, ‘Songs for my Funeral’, was full of hip hop and beat influences, the second, ‘The Garden’, revealed Nostalgia 77’s mastermind (Ben Lamdin) serious intentions as a jazz musician, composer and arranger. ‘Weapons of Jazz Destruction ’ takes things further in this direction. Where ‘The Garden’ featured a willfully rough and ready recording style with nods to afrofunk and soul including the attention grabbing cover of “Seven Nation Army” with Alice Russell, this latest album is a much smoother and more polished production and sits firmly in the jazz arena. The Fender Rhodes has been replaced throughout by piano giving the whole record a more classic sound and, as always, the horn arrangements are outstanding. The overall feeling is melancholic, bringing in Ethiopian modal jazz influences into tracks like “Musical Silt”, and Spanish melodies in the opening track “Chola”. This uniqu


Arts the Beatdoctor - Transitions
2007-11-23 13:38:32
Extremely secretive about his alias, Arts The Beatdoctor is a beatmaker from the Netherlands who adds even more mystery to his persona with a silky smooth debut. The feeling of night is apparent throughout ‘Transitions ’. “Decreasing Daylight” has a backbone of drums and bass, but Art supplements a perfect dose of detuned brass, with a vinyl hiss hovering in the background. As the song fades out, the only noise left is a few desperate saxophone blows, before the sound of an automobile flashes by leading listeners into the title track. Vocals are laid in the middle of a frantic environment, as the sounds of a subway roll by: “Rattling ringtones from babbling bimbos / Toilet decay, too many delays / Fuck it, its all part of the norm / Finally, last stop, last station, last platform”. Then the sound of the subway becomes louder, as the music glides, making listeners feel like they’re on the subway, with headphones on. Another highlights include “Revo


Daily Digs: Death Cab For Cutie, Mighty Mighty Bosstones, Rammstein & More…
2007-11-28 20:35:04
A massive selection of punk records, including classics from Black Flag, The Clash, Dead Kennedys, Descendants and Social Distortion, highlight this ‘Daily Digs’ post. Additionally, the latest full-length offerings from The Bravery, Eagles of Death Metal, and My Chemical Romance are available today. Other notable artists include Bloodhound Gang,  Panic! At the Disco, & Texas is the Reason. (more&hellip ;) Share This
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The Makes Nice - This Time Tomorrow
2007-11-28 20:16:13
Before he formed this screw-tight San Francisco trio, Josh Smith of the Makes Nice played in the Fucking Champs. And though he left behind the Champs math-metal aggression with the old job, he didn’t lose his taste for fist-pumping riffs that unspool like big balls of yarn. In nearly every cut on the Makes Nice’s second full-length of 2007 (the first, ‘Candy Wrapper And 12 Other Songs’, came out in February), Smith provides enough fuzz-trash guitar flash to justify the “power” in “power pop”; he’s one of these dudes who digs ‘Nuggets’ as much for its sludge as for its shine. “Her Personal Vendetta” is among ‘This Time Tomorrow’’s quickest numbers, but that doesn’t mean it features fewer moving parts than the slower tunes. Smith makes room for a pair of acid-skiffle solos where another band might have settled for just one. (more…) Share This


Why? - The Hallows EP
2007-11-28 20:13:26
The indie-folk pop-hop mustache rock Oakland trio is back and they sound pissed. Why?’s new single, “The Hollows”, is a tempestuous anthem darkly laced with paranoia, acrimony, and the disturbances of front man Yoni Wolf. Driven by leisure ominous guitars, “The Hollows” remains beached in convoluted art pop featuring towering piano arpeggios with occasional electric riffs. Wolf’s hushed and jarringly angst lyrics blended with tense instrumentation deliver an edgy pop, while “The Hollows” is about as dim as a pop song gets. ‘The Hollows’ EP features contributions from Boards of Canada, Islands, Xiu Xiu, Dntel, Dump and Half-Handed Cloud. (more…) Share This
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Dinner At The Thompson’s - Lifetime On Planet Earth
2007-11-28 20:09:45
The Franco-American duo Dinner at the Thompson ’s have finally released their first opus, ‘Lifetime on Planet Earth ’. The smooth and sensual grain of Lucille’s voice mixes with Fablive’s productions, an eclectic concoction of acoustic soul, jazz, electro funk creations, and audacious break beats. This sound leaves much to reflect on for the musically adept, but most of all that blows listeners away with its finesse and sincerity. Lucille blends urban poetry and existential reflections, comment on beginnings, on endings, on life experiences. Colored with subtle bits of sampling and live instrumental recordings, their musical world is also inspired by the acoustics and rhythm in afro-beat. The album was conceived to give a warm feeling, a rarity in today’s often over-produced-sounding albums. Dinner at the Thompson’s bring rap, soul, and electro into real time: fresh, delicate, and rough, all at once. (more…) Share This
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The Moog - Sold For Tomorrow
2007-11-28 20:06:52
The Hungarian hipsters known as The Moog are coming to America to woo women into blissful delirium. Imagine a combiation of what The Strokes did on ‘Is This It’ and the best of The Libertines. This is the sound on ‘Sold For Tomorrow’. But while The Moog build upon The Strokes/Libertines modus operandi, they take a sideways glare to their favorite artists (Beach Boys, Clash, Blur etc). This album should inspire bedroom rock out dance parties across the nation, as it is packed full of immediately catchy pop songs inspired by sixties rock bands (The Beatles, Beach Boys), late seventies punk (Ramones, Blondie), and an assorted variety of right now (the aforementioned Strokes, Libertines), ‘Sold For Tomorrow’ gets to the core of The Moog. A little bit experimental, a little bit rock, a little bit pop – all good! (more…) Share This


Menomena - Wet and Rusting EP
2007-11-28 20:04:08
As the Muppet themed reference in their name suggests, Portland, Oregon’s Menomena have always had a smiley face at the core of their computer derived experimentalism. Marrying odd rhythmic loops to Zappa-esque vocal whimsies has long been their stock in trade. The ‘Wet and Rusting’ EP offers a few more samples of their deliciously off-the-wall brew, including three versions of the title track–the album version of which appears on their album ‘Friend and Foe’. No serious excursions from familiar ground here (although all Menomena territory tends to be unfamiliar by virtue of the band’s very nature), but completist fans will find much to enjoy. (more…) Share This


Attack in Black - The Curve of the Earth
2007-11-28 20:00:18
Attack in Black ’s passive aggressive musical approach merges the soul of classic rock with the body of modern day punk rock. Although their sound may at first most closely resemble popular forms of melodic, aggressive or energetic punk rock, it is not fitting to just categorize the quartet. Having grown up listening to punk and hardcore, the foursome still believes in how magical fast music can be. The lack of inspiring influential punk bands, however, has driven each member to search for the feeling punk rock gives them through various artists and authors that many people would not relate to the genre at all. From Bruce Springsteen and Neil Young, to Refused and Ramones the members of AIB have been influenced by many unlikely sources. ‘The Curve of the Earth ’ was started when the band found an old, two-input tape recorder in their house. Inspired by the simplicity of the machine, and the sound of warmth and innocence its recordings had, they set it up in the sun room


Bad Religion - New Maps Of Hell
2007-11-28 19:56:51
Ever since they burst out of the early 1980s SoCal hardcore scene, Bad Religion has always been the smartest punk band on the block. Some 25 years down the line, the men who punk rock to grad school (literally–singer Greg Graffin has a Ph.D.) are as unrelenting as ever. In a post-9/11 America, there’s more need than ever for Bad Religion, as the churning riffs and turbulent rhythms of ‘New Maps Of Hell’ propel polysyllabic, brainy lyrics that capture the tenor of the times. Sometimes directly addressing the turmoil of a war-torn world, sometimes evoking a more existential dilemma, Graffin, founding guitarist/co-writer Brett Gurewitz, and the rest of the sonic marauders march with righteous fury into the fray of humanity’s follies, rocking intensely all the while. (more…) Share This


Every Time I Die - The Big Dirty
2007-11-28 19:53:28
Freezing cold Buffalo deals out plenty of adversity to its residents, making it a near-perfect place to found an aggressive hardcore outfit. When every day is a fight through snowdrifts, the need to blow off some steam becomes paramount. Every Time I Die blow off enough steam on ‘The Big Dirty’ to melt an entire winter’s worth of their hometown’s white. With steel plow riffs at once heavy and nimble, the band recalls metallic standard bearers like Botch and Deadguy (and worked with one of the latter’s former producers on ‘The Big Dirty’). As brutal as the record is, however, Every Time I Die find room to tweak their sound, letting Southern boogie bleed in, and pairing a dazed vocal delivery with a “swarm of bees” guitar on “Leatherneck.” This is hardcore that pumps the fist and the pelvis. (more…) Share This


Biffy Clyro - Puzzle
2007-11-28 19:50:43
With every Biffy Clyro release, there is the unerring excitement of not knowing what to expect. ‘Puzzle s’, at times, feels perverse, as the Kilmarnock trio remain unquestionably a melodic-grunge band, and in all likelihood will remain this way always. But it is the ways in which the band find new and bafflingly brilliant ways to deliver their material, that is the driving force behind their continuing rise to stardom. ‘Puzzles’ includes several intriguing moments, such as the off-kilter rock ballad “Living is a Problem Because Everyone Dies” and the thumping hit single “Saturday Superhouse”. Though long plagued by Nirvana comparisons, their soft-loud style here owes more to Queens of the Stone Age, especially on the catchy “Semi-Mental”. This is a convincing rock album, probably their best yet. (more…) Share This


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