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Tera Melos
1970-01-01 00:59:59
There are 100 copies of our new e.p. "Drugs To The Dear Youth" available for pre-order. So just clik on the link. Don't be weirded out by the picture that you see, that is a painting that serves as the cover. Nick worked really hard on it, so just act like it is a totally normal piece of artwork--much like your (and my) parents acted when you brought home a shitty fingerpainting from kindergarten


ShallNotKill
1970-01-01 00:59:59
Quite a different release here on FFYM musically cause SHALL NOT KILL bring us some very urgent gloomy hardcore from France. Very strong, slow , fast Hardcore in a very inventive way that we do not hear everyday. The lyrics are very strong personnally and politically. 5 songs that deconstruct your usual visions on what HC sound should be. Excellent from; FFYM Links; ShallNotKill - ShallNotKill


Hypnos 69
1970-01-01 00:59:59
Although the cover of Promise of a Moon suggests they've finally decided in which direction to continue (stoner-meets-Fu Manchu?), these 43 minutes show the band's true allegiances are situated elsewhere. There's some heavy guitar abuse present (and with more drive than on Timeline Traveller), but the band's clearly a sucker for "70's psychedelica, whether in an accessible retro-pop format ("


Wangechi Mutu
1970-01-01 00:59:59
Her studio was just as I expected: body parts littered everywhere, a tray full of lips on the table, a pair of sleek legs in strappy heels affixed to the wall. In the telling, Wangechi Mutu's workspace at The Studio Museum in Harlem, where she is a resident artist, sounds like a campy crime scene. In fact, it is a sort of laboratory in which she uses collage and drawing on paper and Mylar to


If These Trees Could Talk
1970-01-01 00:59:59
Akron, Ohio's If These Trees Could Talk are probably the biggest musical surprise I've come across this year. Their self-titled, self-released EP provides an almost trance-inducing collection of metallic-tinged instrumentals that might induce an out-of-body experience if listened to under the right conditions. Beginning with "Malabar Front," the CD launches into an 8 minute trip of simultaneous


The Hidden Hand
1970-01-01 00:59:59
The Hidden Hand is currently comprised of Scott "Wino" Weinrich (guitar/vocals), Bruce Falkinburg (bass/vocals) and Matt Moulis (drums). Original drummer Dave Hennesey left the band to focus more time on his band, Ostinato, and was replaced by Evan Tanner. Bassist Falkinburg is a professional recording engineer, and his Phase Studios has been the commission site of works by Clutch, Sixty Watt


Toe
1970-01-01 00:59:59
Since their formation in 2000, Toe has quietly and unassumingly carved their own little niche in the Japanese instrumental post-rock scene, gaining a reputation as a musician's band with their dynamic, flowing drumming and agile American Football-esque melodies. As longtime mainstays of the Nine Days Wonder-run Catune label, Toe has typically played opener for Japanese post-hardcore


Otesanek
1970-01-01 00:59:59
It could be argued that one sentence in Otesanek's liner notes, which takes up an entire page of said liner notes, could sum up this whole album: "Patiently recorded by Steve Roche" This music is very heavy, very intense, and very slooow. There's a huge brass clock outside my window (don't ask why), and I watched that clock as I listened to this album, all the while thinking of Woolf's leaden


Maiden Voyage / Amaranthine Trampler
1970-01-01 00:59:59
'Amaranthine Trampler' was my first Funeral Doom project. The first two 'Amaranthine Trampler' songs were actually written for 'Rot In Despair', and put out on the 'A Celebration Of Life' Demo. However, I decided that they didn't fit the rather 'Fuck Off, I'm Miserable' image of 'RID' and decided to start a somewhat more melancholic and melodic project (around this time I was getting into Funeral
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Peter Klashorst
1970-01-01 00:59:59
Peter Klashorst was born on the eleventh of February, 1957, in Santpoort (NL). He became well-known soon after his graduation from the Rietveld Academy (Fine Arts) in 1981. In this period, he did not only concern himself with painting; in addition he expressed his artistic talents in his punk-band "Soviet Sex," his own pirate TV-station "Bizar TV" and his discothèque "Bizar-discotheek" He
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M. Ward
1970-01-01 00:59:59
M.Ward's second solo enterprise verifies the artist as one of those few songwriters who stand between the cracks of time, where he spins a hallucinatory, new universe out of old-world roots. Indeed, there's a real down-home, unpolished luster to End of Amnesia, both in execution and in songwriting, that gives it a timeless, old-fashioned pallor. And yet there's also something just slightly off in


The Kilimanjaro Darkjazz Ensemble
1970-01-01 00:59:59
The duo of Jason Kohnen and Gideon Kiers originally formed The Kilimanjaro Darkjazz Ensemble around the turn of the century and started out by creating soundtracks to moody silent films such as Murnau's Nosferatu and Lang's Metropolis. In the meantime, they've added several new members and have said that their debut album is particularly inspired by the work of the Brothers Quay, and their


Sunn O)))
1970-01-01 00:59:59
Say what you will about metalheads (and there's a lot to say, be it in the headbanging, the long hair, the black jeans, or the album fonts that leave you rotating the disc in the vain hopes of figuring out what the hell the band is actually called), but they can be pretty funny guys, if you get the joke. Like Sunn 0))), for example, whose expressed purpose for their doomish drones was based


Ordo Rosarius Equilibrio
1970-01-01 00:59:59
We are certainly living in apocalyptic times, there is finality in the air, the world seemingly heading toward ever more upheavals of epic proportions - and what soundtrack could be more fitting to these times of ours than the new Ordo Rosarius Equilibrio album Apocalips? Ordo Rosarius Equilibrio continue their march amongst seeming polarities - of creation and destruction, of dark and light, of


WINE
1970-01-01 00:59:59
Recreational drug use is the use of psychoactive drugs for recreational purposes rather than for work, medical or spiritual purposes, although the distinction is not always clear. Several behavioral psychologists who have studied this field have come to refer to it as the 'Fourth Drive' in that this behavior, has so much force and persistence that it functions like our drives for hunger, thirst


LAUGHS
1970-01-01 00:59:59
...a little extra-oomph | Love me or blow me | …and that's why God hates | SickAnimations | Chewy | Basiclly Nonsense | A Room Full of Fireflies | Diary of a london cokehead | Mucho Sucko | eBaumsworld | The Onion | StupidVideos | AtomFilms | Cheech and Chong | Rum and Monkey |


SHOPS
1970-01-01 00:59:59
Stonerrock | PsycheDOOMelic Records | aRCHIVE Recordings | DjangosMusic | SecondSpin | Aquarius Records |


E-ZINE
1970-01-01 00:59:59
StonerRock.com | Aurora Borealis | Tone Deaf Touring | RoadBurn | ChicagoStonerRock | All Music | Radiohead News | Blabbermouth | Pitchfork Media | Monolith | PunkHardcore | Psychedelic Music from the 60s | Psychedelic Music Net | KULT OF NIHILOW | HipHopSite.Com | MusicFromNL | Rock E-Zine | Stonerrock Chick | NPS Jazz, world and beyond | VPRO Jazz op vier | JazzEnzo |


LABELS
1970-01-01 00:59:59
aRCHIVE recordings | Utech Recordings | Elektrohasch | Southernlord | Vice Recordings | Ipecac | MotorWolf | SleazeGrinder | Southern | OrangeFactory | Roadkill Recordingz | FreeBird Recordings | Hydrahead Recordings | Aquarius Recordings | Nova Recordings | Stickman Recordings | ElectricHumanProject | Tortuga Recordings | Fuzzoramarecords | Troubleman | TeePee records |


Alabama Thunderpussy
1970-01-01 00:59:59
Based in Richmond, Virginia since 1996 and fueled by a desire to play dirty, kick ass rock and roll; Alabama Thunderpussy honed their skills and began assaulting the local touring circuit. Alabama Thunderpussy took to the road and watched their fanbase grow as they established cred in every city across America. The band has been touring since 1998 in America and in 1999 embarked on their first


Aghora
1970-01-01 00:59:59
Those of you already familiar with Aghora will no doubt have been waiting eargerly for this, the band's second full-length album. Their debut was a breath of fresh air to the progressive metal circles and showcased most of all what an Eastern influence could achieve when interlaced with some great metal riffing. Now, a whole six years later, the band have come a long way both in terms of their


Noxagt
1970-01-01 00:59:59
The coolest thing about the first two albums of bludgeoning math-metal instrumentals by Norwegian trio Noxagt is that they were made without a guitar. Nils Erga's hard-sawing viola could certainly sound like a guitar, and sometimes like an actual viola, but mostly it spewed an unidentifiable mix of winding screech and stubbly drone over Kjetil D. Brandsdal's earth-digging bass and Jan Christian L


Black Elk
1970-01-01 00:59:59
They don't make rock like this anymore. Portland, Oregon's Black Elk harkens back to noise rock's early '90s heyday, when Amphetamine Reptile and Touch and Go reigned supreme. The Melvins, Black Flag, and early Soundgarden all have a furry hand in this quartet's distorted rumblings. Tom Glose's crazed vocals, too, recall unhinged frontmen like The Jesus Lizard's David Yow and Circus Lupus' Chris


Circle
1970-01-01 00:59:59
For a krautrock obsessive like myself, Circle is one of the most intriguing bands operating in the world today. For more than a decade, Circle churned out multiple releases per year, all assuming different forms of its Can-inspired, chiseled-in-stone modus operandi: write a groovy riff, then play that sucker into eternity. Circle is master of subtle manipulation, slowly transforming a solid riff


Waldy Martens
1970-01-01 00:59:59
Waldy has been an active commercial and editorial shooter for the past 15 years, specializing not only in making people and product look their best, but in many cases, their most extreme, intense, stunning, and wild. Well known for his sensual yet strong portrayal of women, athletes, musicians, and people in the loop, Waldy is in high demand by advertisers and magazines alike, looking to give
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Lite
1970-01-01 00:59:59
LITE are an instrumental quartet from Tokyo, Japan. Their members are: Nobuyuki Takeda (guitar), Kozo Kusumoto (guitar), Jun Izawa (bass) and Akinori Yamamoto (drums). Formed in 2003, LITE's cinematic sound combines math-rock dexterity and deft interplay between instruments with influences as diverse as Shellac, Tortoise and Italian prog giants Area and Osanna. Dealing in power and precision,


Turambar
1970-01-01 00:59:59
Geezus fuck. The world is going to hell in a hand basket. All that Middle East crap, that little fucker in North Korea and if that wasn't enough, global warming is looking to fuck us but good. In ten years, I'll have an awesome ocean view from my townhome in Arizona. No wonder there is a Doom Metal renaissance going on. You crack open the newspaper and you want to put a bullet through your skull.


Thee Maldoror Kollective
1970-01-01 00:59:59
To answer your first question, yes this is as odd as it sounds! Thee Maldoror Kollective or TMK or I believe at this point in time Textbook Modern Karate are an Italian group practicing what is described (perfectly) as cinematic avant-garde music. This may not appeal to the thrash till death members of the readership but if you are looking for something a bit different, you are in the right place


The Prophecy
1970-01-01 00:59:59
The last album of the British doomsters of The Prophecy is without any doubt one of the best surprises of the year 2006 in the Doom Metal category. When you know their previous album "Ashes", it was already easy to understand that the band was extremely good and promising and "Revelations", is not a… revelation but more like a confirmation of their exceptional talent. If you like My Dying Bride


Erick Swenson
1970-01-01 00:59:59
Erick Swenson (born Phoenixville, Pennsylvania, 1972) is an American artist and sculptor living and working in Dallas, Texas. He earned a B.F.A. in Studio Art, Painting and Drawing, from the School of Visual Arts, University of North Texas, in 1999. Swenson is represented by the James Cohan Gallery in New York. He has shown internationally at galleries and museums such as the Hammer Museum in
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