IYou mother walks light as an empty creelUnlearning the intimate nudge and pullYour trussed-up weight of seed-flesh and bone-curdHad insisted on. That evicted worldContracts round its history, its scar.Doomsday struck when your collapsed sphereExtinguished itself in our atmosphere,Your mother heavy with the lightness in her.IIFor six months you stayed cartographerCharting my friend from husband to
This is track 3 on Nonstop Energy Mix #60.Mariah has not been the same since the 90s: her face seems different, and more importantly, she's either lost or no longer uses the entire range of her prolific 8-octave voice in her songs. Anybody could sing these songs, really. However, the music video for this song (where a geek dreams of getting with Mariah) is pretty amusing. The song itself is, well,
Take A Bow la nueva canción de Rihanna, que estara incluida en la reedicion de su exitoso álbum Good Girl Gone Bad, estrena este excelente remix.Disfruta la primicia. Vos Elegís Música, Siempre Primero.Mp3: Take A Bow (Seamus Haji Rmx) - Rihanna
Artist: Mariah CareyTitle: E=MC2Label: IslandGenre: RnBStore Date: April 15, 2008Source: CDDA# Tracks: 15# CDs: 1Length: 01.02:04Encoder: LAME 3.98aQuality: VBR kbpsChannels: Joint Stereo / 44khzTags: ID3 v1.1, ID3 v2.3Nonstop mix: No*.cue: NoArchive size: 92.62 MbRecovery record: Yes Tracklist:01. Migrate Ft T-Pain02. Touch My Body03. Cruise Control Ft Damian Marley04. I Stay In Love05. Side Effects Ft Young Jeezy06. I'm That Chick07. Love Story08. I'll Be Lovin' U Long Time09. Last Kiss10. Thanx 4 Nothin'11. O.O.C.12. For The Record13. Bye Bye14. I Wish You Well15. Touch My Body (Seamus Haji Club Mix)
The weirdest job I ever had was as a waitress at the Mountain Oyster Club, an exclusive private club in Arizona, where, for some reason, a lot of the members were friends with Corbin Bernsen. What I hated most about that job was catering the members’ parties. Huge, ridiculous parties (who has 200 people for a wedding rehearsal dinner?) where there were never enough servers and there was way too much food. When I saw Sean Seamus McWhinney’s book, Diary of a Catering Whore, at the Alternative Press Expo, I thought, “I know that feeling,” and I went over to talk to him.
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Cana RevisitedNo round-shouldered pitchers here, no stewardsTo supervise consumption or suppliesAnd water locked behind the taps impliesNo expectation of miraculous words.But in the bone-hooped womb, rising like yeast,Virtue intact is waiting to be shown,The consecration wondrous (being their own)As when the water reddened at the feast.--Seamus HeaneyI picked up Heaney's little 1969 book Door into the Dark in a little used book store in Dublin. I've been thinking a lot about why I think poetry is important. Word-care is an important notion to me since language allows us to interact with the world around us, or, to be in a world at all. There is something more than this though, something not unrelated but more determined by what we call aesthetic. Still, I know that the aesthetic bears ideology and there's a classism that I'd like to avoid that seems to creep in when recommending that people read poetry.[America's Young Theologian][Theology][Poetry][Seamus Heaney]
