"Beatiful Future" é o décimo álbum de originais dos Primal Scream, banda originária de Glasgow e que tem como fundador e figura de proa o carismático Bobby Gillespie, que foi o primeiro baterista dos Jesus & the Mary Chain e que já levam duas décadas e meia de existência onde o equilíbrio entre risco e experimentção e sucesso comercial sempre foi imagem de marca.Este álbum contou
A therapeutic primal scream to the world at large, referred to hereafter as the informal You.I'm going to tell you the truth. It might hurt one of us. Get the Band-Aids.I'm going through a crisis of sorts. It has nothing to do with the topics that normally create a swarm of activity around a blog entry. It has much more to do with being the child of a shitty parent and dealing with the afterma
Os Primal Scream de Bobby Gillespie prpeparam-se para voltar às edições discográficas de longa-duração, 2 anos após "Riot City Blues". O novo álbum, com data de edição prevista para 21 de Julho intitular-se-á “Beautiful Future”, e já é conhecido o single de apresentação e respectivo videoclip: "Can’t Go Back".Entretanto e em jeito promocional e seguindo uma estratégia cada ve
La banda británica liderada por Bobby Gillespie tiene previsto sacar un nuevo LP el próximo 21 de julio. Será su primer trabajo desde Riot City Blues y la continuación de una trayectoria llena de éxitos (Screamadelica, Vanishing Point, Xtrmntr).
El primer single será Can't Go Back que se pondrá a la venta una semana antes, el 14 de julio. Cabe mencionar que en el álbum ha colaborado Lovef
Riot City Blues (2006)01. Country Girl (4:33)02. Nitty Gritty (3:40)03. Suicide Sally & Johnny Guitar (3:16)04. When the Bomb Drops (4:37)05. Little Death (6:24)06. The 99th Floor (3:52)07. We're Gonna Boogie (2:54)08. Dolls (Sweet Rock and Roll) (4:00)09. Hell's Comin' Down (3:29)10. Sometimes I Feel So Lonely (5:07) link If at first you don't succeed, try again. Riot City Blues is another attempt at straight-up trad rock where the ghosts of the Faces, the Rolling Stones, and others come traipsing into Bobby Gillespie's scope and he goes for it. Some heard an overly strenuous attempt at this on 1994's Give Out But Don't Give Up, where it worked not at all due to the band's attempt at literally mimicking the sounds of the aforementioned bands without adding anything else to the mix. Riot City Blues is a much more relaxed effort, and benefits significantly from that stance. Yeah, it's true that on first listen "Country Girl," the album's opener, sounds like an in-the-stu
Primal Scream's career could in many ways be read as a microcosm of British indie rock in the '80s and '90s. Bobby Gillespie formed the band in the mid-'80s while drumming for goth-tinged noise rockers the Jesus and Mary Chain, who were the exact opposite of Primal Scream -- the latter specialized in infectious, jangly pop on its early records. After a brief detour to punky hard rock, the group reinvented itself as a dance band in the early '90s, following through on the pop and acid house fusions of the Stone Roses and Happy Mondays. With the assistance of producers Andrew Weatherall and Hugo Nicholson, Primal Scream created the ultimate indie pop and dance fusion album, Screamadelica, in 1991. Screamadelica broke down boundaries and changed the face of British pop music in the '90s, helping to make dance and techno acceptable to the rock mainstream. Instead of following through on the promise of the album, Primal Scream retreated to Stonesy boogie for their 1994 follow-up, Give
