En un mundo, el del rock, en el que géneros, estilos y divisiones sirven a menudo para calificar y juzgar a los protagonistas de aquello que nos hace vibrar, gente como Tom Petty logra, no sólo no encasillarse, consigue también permanecer fiel a su manera de entender la música. Somos conscientes de que en cada década algún subgénero del rock fue el que marcó la tendencia. Tom Petty sin emb
PlayDetective: Heartbreakers v1.0 | 23 MB
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And He whispered to me in the darkness as we lay together, Tell Me where to touch you so that I can drive you insane; tell Me where to touch you to give you ultimate pleasure, tell Me where to touch you so that we will truly own each other. And I kissed Him softly and whispered back, Touch my mind. Good to download
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01 - Am I Blue (Libby Holman)02 - Whoa Babe! (The Ink Spots)03 - The Gambling Man (Sister O.M.Terrell)04 - Im Making Believe (The Ink Spots & Ella Fitzgerald)05 - Go Back To The Country (Bill Jazz Gillum)06 - Blues In The Night (Dinah Shore)07 - Lawd You Made The Night Too Long (Boswell Sisters)08 - How Can You Have The Blues (Kansas City Kitty & Georgia Tom)09 - Nobody Knows You When Youre Down & Out (Bessie Smith)10 - Blues In Disguise (Mezz Mezzrow)11 - Moanin Low (Lee Morse & Her Blue Grass Boys)12 - Profundly Blue (Edmond Hall Celeste Quartet feat. C. Christian)13 - Sweet Patootie (Oneil Spencer)14 - Denver Blues (Tampa Red)15 - If I Had My Way (Blind Willie Johnson)16 - Some Cold Rainy Day (Berha Chippie Hill)17 - Mood Indigo (Duke Ellington & His Orchestra)18 - B
Its hard to believe that its been almost four years since Miss Jacksons infamous wardrobe malfunction during the Super Bowl halftime show with Justin Timberlake in 2004. Since then, legendary artists Paul McCartney and the Rolling Stones have rocked the stage at halftime, and nearly 140 million Americans watched Prince play this year at the NFL championship
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Tom Petty And The Heartbreakers - Long After Dark (1982)320kbpsRiding high on the back-to-back Top Five, platinum hits Damn the Torpedoes and Hard Promises, Tom Petty quickly returned to the studio to record the Heartbreakers' fifth album, Long After Dark. Truth be told, there was about as long a gap between Dark and Promises as there was between Promises and Torpedoes, but there was a difference this time around -- Petty & the Heartbreakers sounded tired. Even if there are a few new wave flourishes here and there, the band hasn't really changed its style at all -- it's still Stonesy, Byrdsian heartland rock. As their first four albums illustrated, that isn't a problem in itself, since they've found numerous variations within their signature sound, providing they have the right songs. Unfortunately, Petty had a dry spell on Long After Dark. With its swirling, minor key guitars, "You Got Lucky" is a classic and "Change of Heart" comes close to matching those peaks, but the remainin
Tom Petty And The Heartbreakers - Let Me Up (I've Had Enough)(1987)320kbpsTom Petty & the Heartbreakers spent much of 1986 on the road as Bob Dylan's backing band. Dylan's presence proved to be a huge influence on the Heartbreakers, turning them away from the well-intentioned but slick pretensions of Southern Accents and toward a loose, charmingly ramshackle roots rock that harked back to their roots yet exhibited the professional eclecticism they developed during the mid-'80s. All of this was on full display on Let Me Up (I've Had Enough), their simplest and best album since Hard Promises. Not to say that Let Me Up is a perfect album -- far from it, actually. Filled with loose ends, song fragments, and unvarnished productions, it's a defiantly messy album, and it's all the better for it, especially arriving on the heels of the well-groomed Accents. Apart from the (slightly dated) rant "Jammin' Me'" (co-written by Dylan, but you can't tell), there aren't any standouts on the
Tom Petty And The Heartbreakers - Hard Promises(1981)320kbpsDamn the Torpedoes wasn't simply a culmination of Tom Petty's art; it happened to be a huge success, enabling him to call the shots on its successor, Hard Promises. Infamously, he used his first album as a star to challenge the record industry's practice of charging more for A-list artists, demanding that Hard Promises should be listed for less than most records by an artist of his stature, but if that was the only thing notable about the album, it would have disappeared like Long After Dark. Instead, it offered a reaffirmation that Damn the Torpedoes wasn't a fluke. There's not much new on the surface, since it continues the sound of its predecessor, but it's filled with great songwriting, something that's as difficult to achieve as a distinctive sound. The opener, "The Waiting," became the best-known song on the record, but there's no discounting "A Woman in Love (It's Not Me)," "Nightwatchman," "Kings Road," "Insid
Tom Petty And The Heartbreakers - You're Gonna Get It(1978)320kbpsTom Petty & the Heartbreakers didn't really knock out their second album -- it was released two years after their debut -- but it sure sounds as if they did. There are some wonderful moments on this record, but it often feels like leftovers from a strong debut, or an album written on the road, especially since the music is simply an extension of the first album. That said, when You're Gonna Get It! works, it devastates. That's not saying that "When the Time Comes" is a masterpiece, even if it's a fine opener, but it does mean that "I Need to Know" and the scathing "Listen to Her Heart" are testaments to how good this band could be when it was focused. If the rest of the album doesn't achieve this level of perfection, that's a signal that they were still finding their footing, but overall it's still a solid record, filled with good performances that are never quite as good as the songs. It's pretty good as it spi
Tom Petty And The Heartbreakers - Self-Titled(1976)320kbpsAt the time Tom Petty & the Heartbreakers' debut was released in 1976, they were fresh enough to almost be considered punk. They weren't as reckless or visionary as the Ramones, but they shared a similar love for pure '60s rock and, for the Heartbreakers, that meant embracing the Byrds as much as the Stones. And that's pretty much what this album is -- tuneful jangle balanced by a tough garage swagger. At times, the attitude and the sound override the songwriting, but that's alright, since the slight songs ("Anything That's Rock 'N' Roll," to pick a random example) are still infused with spirit and an appealing surface. Petty & the Heartbreakers feel underground on this album, at least to the extent that power pop was underground in 1976; with Dwight Twilley providing backing vocals for "Strangered in the Night," the similarities between the two bands (adherence to pop hooks and melodies, love of guitars) become appa
